Brief
Summary
The main topic
this week is reading comprehension, which is the interactive process between
text, reader and instruction. When comprehensive reading is expected, many
students are taught skills such as finding the main idea, looking for details,
or drawing conclusions. These are supposed to help the students better
understand what they are reading. According to the media and texts from our lesson
this week, it takes more than just telling our students to do these things.
Teachers engage students in comprehensive learning through motivation, choosing
topics that interest students, giving a purpose, and considering students’ prior
knowledge (Alvermann, 165). Teachers must model how to read comprehensively. As
the article Literacy Instruction for Adolescents states, “Students need to witness a skilled
reader explaining the various ways that he or she makes meaning from the text” (Wood,
355). I remember many of my teachers in school doing just this. They would read
a passage and then talk through it out loud to the class. It was very effective
because I always had a better understanding by the end of it. Modeling how to
use reading graphs and charts is another important strategy in enhancing
reading comprehension. After a teacher has modeled for their students, they
must allow their students to practice the behaviors with a little guidance, and
then eventually independently. One other strategy for comprehensive reading
that is discussed in the article is reciprocal teaching. This involves the
students acting as leaders and working with their peers to read. Students read
texts together and then summarize, question, clarify, and predict (Wood, 338).
Critical
reflection
The
information and strategies about comprehensive reading instruction discussed in
the course readings and minilecture this week is all very valuable. It is very
important that students have the proper instruction and guidance on how to
comprehend texts. Students will be more likely to engage in reading if it is
interesting to them and they know how to properly sort out their ideas. Using
background knowledge to enhance comprehensive reading can be a difficult task, especially
if there is classroom that is very diverse culturally as well as academically.
If this is the case, teachers will have to make sure they give a bit of a
background on the topic to the students so that they can all be on the same
level.
Implications
for teaching
In my future classroom, I will be sure to always make sure
that my students know the purpose for why they are reading on a certain topic.
For example, if my string orchestra is playing a piece by Strauss, I may have
them read a paragraph or two about Strauss’ life and the history that
happened during his time. I would tell my students that the reason why they are
reading the text is because it will help them to better understand why Strauss
wrote the piece the way he did. Or if we were playing an arrangement of Vivaldi’s Four Seasons, I would have
the students read the poems that go with the piece. This would help them to
better understand and visualize what the music has to say.
I also will use modeling, specifically showing them how to
make diagrams. I feel that this is especially helpful when sorting ideas from a
text. Venn Diagrams are a great way to compare and contrast two concepts.
Relationship
to Standards
This weeks
readings and media relate to a lot of what is expected in the music education
reading instruction standards. Strand 1 in the standards requires that the music
teacher understands how motivation, background knowledge, motivation and
interest impacts comprehension. These are the topics that were discussed in
course readings. Students are expected to use a variety of strategies to expand
their reading, writing and speaking skills. These strategies such as teacher
modeling, reciprocal teaching, and creating graphs were discussed in detail in
the course readings.
Hi Anna,
ReplyDeleteClearly, you already have a thorough understanding of reading as an activity and as instructional. Is student reading aloud a component of instruction in your classroom? I have found that when in small groups, the stronger readers tend to mentor the weaker ones. This allows me to circulate throughout the class. I can then devote closer attention to struggling students or address behavior as needed.
On the subject of prior knowledge, I note your mention of diverse student groups. This could surely complicate acquisition and integration of prior knowledge into music history studies. My own experience reflects this as well, I typically have a pretty diverse classroom - by gender, ethnicity, socio-economics, etc. The rural kids I teach have had much broader exposure to all things mechanical than the kids who live in town.
As far as re-teaching goes, do you position the students in a circle with each other or do they stand at the white board? It's been a long time since I had any sort of music class and I don't remember reading or writing anything when I did, so I'm trying to reframe my understanding to align with present context.
Yours is a very insightful blog, Anna.
thank you
Todd